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This project has been funded with support from the European Commission.
This web site reflects the views only of the author, and the Commission cannot be held responsible for any use which may be made of the information contained therein.

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Chora Church

Chora Church

Dervişali Mahallesi, Kariye Cami Sk. No:8, 34087 Fatih/İstanbul, Türkiye

RELIGIONS Orthodox

DESCRIPTION OF THE RELIGIOUS SITE

DESCRIPTION
The Church of the Holy Saviour in Chora is a medieval Byzantine Greek Orthodox church preserved as the Chora Museum in the Edirnekapı neighborhood of Istanbul. The neighborhood is situated in the western part of the municipality (belediye) of the Fatih district.
HISTORICAL RELEVANCE
The Chora Church was originally built as part of a monastery complex outside the walls of Constantinople, to the south of the Golden Horn. Literally translated, the church's full name was the Church of the Holy Saviour in the Country: although "The Church of the Holy Redeemer in the Fields" would be a more natural rendering of the name in English. The last part of that name, Chora, referring to its location originally outside of the walls, became the shortened name of the church. The original church on this site was built in the early 4th century, and stood outside of the 4th century walls of Constantine the Great. However, when Theodosius II built his formidable land walls in 413–414, the church became incorporated within the city's defences, but retained the name Chora. The name must have carried symbolic meaning, as the mosaics in the narthex describe Christ as the Land of the Living and Mary, the Mother of Jesus, as the Container of the Uncontainable
INTER-RELIGIOUS RELEVANCE
In the 16th century, during the Ottoman era, the church was converted into a mosque; it became a museum in 1948. The interior of the building is covered with some of the oldest and finest surviving Byzantine mosaics and frescoes; they were uncovered and restored after the building was secularized and turned into a museum.
RELIGIOUS INFLUENCE
The majority of the fabric of the current building dates from 1077–1081, when Maria Dukaina, the mother-in-law of Alexius I Comnenus, rebuilt the Chora Church as an inscribed cross or quincunx: a popular architectural style of the time. Early in the 12th century, the church suffered a partial collapse, perhaps due to an earthquake. The church was rebuilt by Isaac Comnenus, Alexius's third son. However, it was only after the third phase of building, two centuries after, that the church as it stands today was completed. The powerful Byzantine statesman Theodore Metochites endowed the church with many of its fine mosaics and frescos. Theodore's impressive decoration of the interior was carried out between 1315 and 1321. The mosaic-work is the finest example of the Palaeologian Renaissance. The artists remain unknown. In 1328, Theodore was sent into exile by the usurper Andronicus III Palaeologus. However, he was allowed to return to the city two years later, and lived out the last two years of his life as a monk in his Chora Church.
HOW TO USE WITH THE STUDENTS
Direct visit is allowed
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    This project has been funded with support from the European Commission. This web site reflects the views only of the author, and the Commission cannot be held responsible for any use which may be made of the information contained therein.