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This project has been funded with support from the European Commission.
This web site reflects the views only of the author, and the Commission cannot be held responsible for any use which may be made of the information contained therein.

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National Museum of the History of Immigration

National Museum of the History of Immigration

293 Avenue Daumesnil, 75012 Paris, France

RELIGIONS Judaism, Catholic, Protestant, Islam, Orthodox, Hinduism, Buddhism

DESCRIPTION OF THE RELIGIOUS SITE

DESCRIPTION
The Cité nationale de l'histoire de l'immigration is a museum of immigration history located in the 12th arrondissement of Paris at 293, avenue Daumesnil. The nearest métro station is Porte Dorée. It is open daily except Monday; an admission fee is charged.

The museum was conceived in 1989 by Algerian immigrant Zaïr Kedadouche, supported initially by historians including Pierre Milza and Gérard Noiriel, and established by President Jacques Chirac with a mission to "contribute to the recognition of the integration of immigrants into French society and advance the views and attitudes on immigration in France".
It opened without public ceremony in late 2007 under his successor, President Nicolas Sarkozy, amid political controversy in which eight of the twelve academics involved in the project resigned.
HISTORICAL RELEVANCE
The museum occupies the Palais de la Porte Dorée, formerly the home of the Musée national des Arts d'Afrique et d'Océanie, on the edge of the Bois de Vincennes. It contains over 1100 m² of exhibition space devoted primarily to the history and culture of immigration in France from the early nineteenth century to the present. A permanent installation, "Benchmarks", contains interactive exhibits presenting immigrant stories in multimedia form. The museum's collections are organized by three main themes: images including photography by Eugène Atget, Gérald Bloncourt, Robert Capa, Yves Jackson, Jean Jacques Pottier, etc., as well as prints, posters, drawings press, cartoons, comic books, audiovisual materials; objects of daily life; and works of art concerning immigration, territory, borders, and roots.
INTER-RELIGIOUS RELEVANCE
The museum was built in order to show how diverse a population can be, how many colors compose a country.
With immigration, mix of origins and races comes the mix of religions.
People learn how to live peacefully with each other.

The museum has permanent exhibits, mainly focused on the diversity of ethnicities but they also have exhibitions about inter religious communities.
RELIGIOUS INFLUENCE
What is specific to this place is that there is no predominant faith.
The purpose is not to show that there is a predominant faith but to show how diverse the society nowadays is.
It is a good way to discover the specificities of each religion. There is no discrimination as to who should go and see the exhibitions. Welcoming everyone that is curious and wants to learn more of the different shades of colors in the world.
HOW TO USE WITH THE STUDENTS
Direct visit, there is no other way to see an exhibition.
REFERENCE TO THE GUIDELINE

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This project has been funded with support from the European Commission. This web site reflects the views only of the author, and the Commission cannot be held responsible for any use which may be made of the information contained therein.