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Pedagogical Approaches

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New pedagogical approaches to teach history of religion

Multidisciplinary Pedagogical Approaches to Teach History of Religions

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6. Teaching Religions through Music
The status of music as a universal language offers an outstanding vehicle for the communication of any message, and more particularly, for the message of the sacred texts. From Bob Dylan to Beethoven, from Bob Marley to Buddhist chant, music expresses the spiritual. Lawrence Bixler says that this universal language appeals first to the emotions and then to the intellect. The emotions serve as a doorway to the throne room of the mind. In any religious community, musical power may be harnessed to spiritual life, or may be viewed with suspicion for its power to draw humanity away from the pursuit of religious truth. When using music in religious education the teacher has to:
  • Check the appropriateness of lyrics for concepts and correctness of spiritual teachings.
  • Ensure the song/hymn is appropriate for the age group they are working with.
Exposing children to a wide variety of music genres can be beneficial for their spiritual development. Using this approach the teacher may let students compare and contrast songs from different religions; to help them explore how music can be used in religion to express belief systems, teach myths and stories and strengthen community. The approach of using music in religious education can include the following steps:
  • LISTENING & RESPONDING - before the teacher explains anything about the song, it would be best if he/she can play the song once and ask students to listen with an open ear/mind, perhaps write down any reactions/thoughts/feelings they notice come up. Students can write down what they hear using a pre-prepared word bank: melody, harmony, major, minor, instruments, loud, soft, dynamics, tempo, beat rhythm, timbre, crescendo, decrescendo, form, verse, chorus, bridge, mood They can also describe their emotional response to music, to answer what they think this song may have been used for. Then the teacher may provide some contextual (i.e. historical, cultural, regional) information about the song and let the class listen a second time. After that repeat this process using a song from a different religion. Then the students will have to answer how this song is similar and different from the first song they listened to?
  • ENGAGING: Many religions include music as a part of their spiritual practice. Some of the elements of religion are belief system/world view, myths/stories and community. The teacher may ask the students to answer some questions: to choose a song that is connected to a specific religion; to say what religion(s) is it based in; how do they know the song; where did they learn it; is the song part of their personal religious practice; does the song convey a belief system or world view; does the song incorporate a myth or story; how might this song be used to build community.
  • COLLECTIVE REFLECTION: ask students to share their musical experiences with each other and ask them to reflect on that. Ask the students: In your discussion what similarities did you encounter with songs from different religions? What differences did you encounter? Why do you think so many different religions use music in their worship? How might spiritual practice be different without music?
  • TAKING IT OUT INTO THE WORLD: Offer students the opportunity to continue the conversation with their friends and family. What experiences have they had with music in religion? Was it part of their personal experience with religion? Did the music serve to strengthen their beliefs? Community? Understanding of the myths and stories in the religion?
Online Resources
Practical Activity
  • Using music in religious education The activity gives the teachers resources of music from different religions and suggests how a non-formal learning activity can be organized with students.

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This project has been funded with support from the European Commission. This web site reflects the views only of the author, and the Commission cannot be held responsible for any use which may be made of the information contained therein.